Incredibly rare is the artist whose sonic fingerprint is as instantly identifiable as their vocal one. But this is so absolutely true of D’Angelo; a real troubadour whose creativity carved out a new soulful identity so insanely progressive for its time, the music still sounds cutting-edge nearly 20 years later and also helped forge an entirely new path in R&B that was coined “Neo Soul”. Timelessness is true genius.
But after two incredible albums, the artist suddenly disappeared from the scene in 2000, resurfacing only occasionally through various releases with frequent collaborators Common, Q-Tip, and Questlove or the occasional live performance.
Suddenly, following a trend established by Beyonce last year— a new album was set up, released and delivered from out of the blue over the weekend, with a 15-second video tease going up on YouTube Friday, new song “Really Love” released to radio on Saturday, and a small listening party in NYC Sunday with the complete album Black Messiahrevealed to the world via iTunes and Spotify by midnight 12/15, where it’s currently sitting at #1.
“I think the idea of just making a whole album available is kind of a unique thing these days,” said RCA CEO Peter Edge, “when you’ve got something as special as this, just put the album out and know it’s a unique moment where people actually want the whole album experience. Day one has exceeded our expectations, the buzz is louder, and people seem to like this music even more than we’d hoped.”
Loaded with contributions from Questlove, who Edge describes as “a key collaborator, one of the guiding spirits,” and the band D’Angelo assembled called The Vanguard—which by definition means “a group of people leading the way in new ideas,” bassist Pino Palladino, drummer James Gadson, plus songwriting collaborator Kendra Foster of Parliament Funkadelic and Q-Tip assist in delivering a masterful work about the most serious social issues of right now.
“D’Angelo is really at the center of this project, the mastermind of everything,” explains Edge.
“D’Angelo is really at the center of this project, the mastermind of everything,” explains Edge.
“It’s a passion project, and it’s everything,” Questlove told the audience at the album preview party. “I don’t really want to give a hyperbolic or grandiose statement, but it’s everything. It’s beautiful, it’s ugly, it’s truth, it’s lies. It’s everything.”
D’Angelo writes on the liner notes of the album, “It’s about people rising up in Ferguson and in Egypt and in Occupy Wall Street and in every place where a community has had enough and decides to make change happen. It’s not about praising one charismatic leader but celebrating thousands of them.”
Black Messiah is being received by critics and fans alike, as overwhelmingly worth the 14-year wait. “Really Love,” along with “Another Life,” and “Betray My Heart,” are all standouts as is “Sugah Daddy,” infused with a crazy good bassline you’ll instantly hum. The song “1000 Deaths” channels a rough, chaotic production that emotionally captures the provoking lyrics and “The Charade” layers uplifting melody while delivering a knockout punch lyrically: “all we wanted was a chance to talk/’stead we’ve only got outlined in chalk”. This is critical thinking set to future-funk, a soul sonic force to be reckoned with. Just as every single one of D’Angelo’s prodigal albums have been.
But this record may ultimately spur a conversation equally important to the social issues: one about the pressure artists are put under to deliver vast amounts of material quickly in this new world of singles-driven music economy. CEO Peter Edge, already well known as an extraordinary music person, gave D’Angelo the time and space he needed to create for YEARS, literally, knowing full well it was the final product that mattered most here, not fulfilling a particular release-schedule obligation. It is a rare patience for a music exec in these pressure-filled times, but it’s that very finesse and instinct that has given us one of the best records—not just “R&B album”—of the year.
“I just think he’s really unique there’s really nobody doing music just like him,” explained Edge, “I felt like I needed to support that, it’s a very rare thing what he was doing and his talent is one of a kind. There’s really nobody like him. There are a lot of great artists out there and a lot of great artists on our label, but he’s just a different kind of artist in certain ways. I like his uniqueness and artistry, but yes, it’s been a long road.”
The Smash! 